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Self-pity, a dominant characteristic of sociopaths, is also the characteristic that differentiates heroic storytelling from psychological rumination. When you talk about your experiences to shed light, you may feel wrenching pain, grief, anger, or shame. Your audience may pity you, but not because you want them to.
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
The six of us gathered at my house, and we walked to the polls. I'll never forget it. Not a Negro was on the streets, and when we got to the courthouse, the clerk said he wanted to talk with us. When we got into his office, some 15 or 20 armed white men surged in behind us - men I had grown up with, had played with.
People like to talk a lot about me, about how I have anxiety or social disorders. I'll admit to anxiety, but it has nothing to do with media or being in front of a camera or being around people. It has to do with dealing with the sparring that I'm going to have or the workouts that I'm going to have from day to day.
Before the war, my parents were very proud people. They'd always talk about Japan and also about the samurai and things like that. Right after Pearl Harbor, they were just real quiet. They kept to themselves; they were afraid to talk about what could happen. I assume they knew that nothing good would come out of it.
I wasn't even born when dad swam in the Olympics. I've seen videos of some of his swims, although I don't think I've ever seen him in the Olympics. He's been a massive support right through my career, and it's good to have someone so close to talk to who knows all about what it's like to compete in an Olympic Games.
My talk is inside of the cage. This is my real words where I talk every time. I think this is really important. You can speak before the fight on whatever you want, but inside of the Octagon, inside of the cage, it shows who you are. You can speak whatever you want, but who you are is who you will be inside the cage.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
Sisterhood is important because we are all we have to stand on. We have to stand near and by each other, pray for one another, and share the joys and the difficulties that women face in the world today. If we don't talk about it among ourselves, then we are made silent by the patriarchy, and that serves us no purpose.
'Birdman' has kinda... changed things. I'm not saying you won't see traditionally made movies any more. But I've had meetings with directors, and they've said it makes them rethink everything. You can hate this movie, but you have to talk about it. It's going to go down as one of the most interesting movies ever made.
Just because of the #MeToo movement in Hollywood, after Oscar-winning actresses including Angelina Jolie came out and spoke against Harvey Weinstein, we also want to talk about something that has been happening in Bollywood for long; like several years ago, Mamta Kulkarni had spoken against filmmaker Rajkumar Santoshi.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
At least once a year, I meet with a group called the Giving Pledge. It's a group of billionaires - including me, Warren Buffett, Bill Gates, and Ted Turner - who have pledged to give away most of their money to charity. We meet for three days to talk about what we're doing to help make the planet a better place to live.
WhatsApp provides phone-number-based messaging, and people asked, 'Isn't that what SMS is?' Yes, but SMS is expensive, antiquated, and what WhatsApp did was modernize and level that playing field. For example, in Europe, if France wants to talk to Belgium, it's extraordinary costly because of border and telecom charges.
We are the shadow of Sirius. There is the other side of - as we talk to each other, we see the light, and we see these faces, but we know that behind that, there's the other side, which we never know. And that - it's the dark, the unknown side that guides us, and that is part of our lives all the time. It's the mystery.
I think that you are what you speak a lot of times, and there's power in the tongue. I feel sorry for the people who always have something negative to say. If something happens bad in my day, I don't tweet about it - I pray about it, or talk to my husband about it or my mother about it, and get it off of me and move on.
When two people talk with mutual respect and listen with a real interest in understanding another point of view, when they try to put themselves in the place of another, to get inside their skin, they change the world, even if it is only by a minute amount, because they are establishing equality between two human beings.
I do think culture is an argument, and that was part of the way I was brought up. People at a social occasion in Ireland will start shouting and arguing. When the Yeats family lived in Bedford Park, they had to go round to the neighbours to say, 'You might think we are fighting, but this is the way we talk to each other.'
Day one through three of the radio tour, I actually went by Camaron Ochs. I went to my first set of radio remotes, and everybody was just like 'What's your last name?' It's not easy to pronounce. The first two minutes I got with people, that's what they wanted to talk about, and sometimes those two minutes is all you get.
I got to talk with some of the great offensive minds in football. Bruce Arians, Byron Leftwich, Andy Reid, Ben McAdoo, Bill O'Brien, I met all those guys and tried to take something away from each of them. Hue Jackson, people that are known for developing quarterbacks, I got exposed to a lot of stuff I hadn't seen before.
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.
I have a family, loving aunts, and a good home. No, on the surface I seem to have everything except my one true friend. All I think about when I'm with friends is having a good time. I can't bring myself to talk about anything but ordinary everyday things. We don't seem to be able to get any closer, and that's the problem.
Most of the people around me have a vested interest in how much money I make. You know, so a celebrity could find themselves in a position where people could have meetings about their life without them involved. And when I say 'their life' I mean not their professional life either. They could talk about their personal life.
Mental health is an area where people are embarrassed. They don't want to talk about it because somehow they feel they're a failure as a parent or, you know, they're embarrassed for their child or they want to protect their child, lots of very good reasons, but mental health, I feel, is something that you have to talk about.
I would say that my role model, as far as just somebody leading by example, which to me is what a great youth counselor does - they are there to talk to and lead by example - would be my mom, but she wasn't a youth counselor. She was a teacher, and she is a good person and definitely one of the biggest influences in my life.
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.'
I get marriage proposals, maybe one a week. Women do flirt, yes. They just want someone from the telly. They come and talk to you, and I guess baking is more attractive, and so they feel they have something in common with me. But I'm just a man from Liverpool. I enjoy what I do, and if that gets people baking, then even better.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
When I go in and talk to students about being a Member of Parliament, I say to them it took me 21 years from joining the Conservative Party as a 16-year-old to being elected as a Member of Parliament for the first time in Loughborough. It's a long journey, but the rewards when you get there, the feeling of accomplishment is huge.
I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
This stand wasn't because I feel like I'm being put down in any kind of way. This is because I'm seeing things happen to people that don't have a voice: people that don't have a platform to talk and have their voices heard and affect change. So I'm in the position where I can do that, and I'm going to do that for people that can't.
I always talk about Meredith and Derrick from 'Grey's Anatomy,' and I loved them the most when they sort of opened and closed each episode with them in bed, happy with each other, and you didn't need to insert extra conflict into them, because there was plenty of conflict in the show. So they were this port in the storm of conflict.
I'm not really into religion, OK. I saw a lot of things I did not like when I got into organized religion. I think a lot of people abuse it, I think a lot of people use it, I think a lot of people make it what they want. And me, my faith and my relationship with God is very personal. And it's not anybody's damn business how we talk.
You would not hang out with people that talk to you the way you talk to yourself. So get out of your head! Your feelings! Your feelings are screwing you! I don't care how you feel! I care about what you want! And if you listen to how you feel, when it comes to what you want - you will not get it. Because you will never feel like it.
We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
Nowadays people talk about PayPal's founders as prescient geniuses who would inevitably change the world. It was, however, not so obvious that PayPal would taste its first major success by helping people sell Beanie Babies on eBay. But they had a vision, a hope, and the perseverance to try multiple iterations until they got it right.
I get that racism exists, but it's not a catalyst for my content. I don't need to talk about race to have material. My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with 'topics' - race, white versus black - you're not separating from the pack. You're doing what everybody else is doing.
I can't gather around and talk about how much everybody in the room doesn't believe in God. I just don't - I don't have the energy for that, and so I... Agnostic separates me from the conduct of atheists whether or not there is strong overlap between the two categories, and at the end of the day I'd rather not be any category at all.
Our family makes us who we are, defines us totally. When you go to a therapist or have analysis, whatever reason you go in for, they will always bring you back to your family. We're strong or weak according to what family we have. You might have left them long ago, might not even talk to them, but something lingers; we have no choice.
I was on an army show, and in the army - especially in Korean culture - there's a very, very strict hierarchy. Obviously, you would not talk informally or disrespectfully to your commanding officer. But me, in my limited Korean, I basically told my commanding officer, 'Thou shalt forget!' The Korean public thought it was really funny.
Both of my parents are actors and directors and whatnot. My dad loves really solid, old school, Broadway musicals, and one of them is 'Assassins' by Stephen Sondheim. All of the successful or non-successful assassins that have ever existed in the United States come together, and they talk about their killing or attempts through songs.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
You pray for things and accept the blessings when they come, you know? And it is about how you talk to yourself and what you say morning, noon and night about what you want to happen in your life. Some folks call that creative visualization. Other people call it prayer. But it is about that message that you send out there to yourself.
Dad could talk about peace and love out loud to the world, but he could never show it to the people who supposedly meant the most to him: his wife and son. How can you talk about peace and love and have a family in bits and pieces - no communication, adultery, divorce? You can't do it, not if you're being true and honest with yourself.
Those in technology who can afford to stay in Silicon Valley all know it as one of the most beautiful places to live in the world, but a wariness has sunk in as folks from other walks of life are forced to leave: coffee shops are wall-to-wall with aspiring entrepreneurs, and restaurants buzz with talk of valuations and venture capital.
We talk about sexual harassment in the workplace, but there's sexual harassment in schools, right? There's sexual harassment on the street. So there's a larger conversation to be had. And I think it will be a disservice to people if we couch this conversation in about what happens in Hollywood or what happens in even political offices.
People deal with grief in many different ways. And some people in show business parade their relationships around like an accessory, and others like to keep it separate from business and commerce. It's perfectly fine to say, 'I actually don't want to talk about my love because that's not part of the fantasy world I created in commerce.'
You shall love the Lord your God with all your heart and with all your soul and with all your might. And these words that I command you today shall be on your heart. You shall teach them diligently to your children, and shall talk of them when you sit in your house, and when you walk by the way, and when you lie down, and when you rise.