I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.

Whatever it is, if you draw, you paint, you're a carpenter, you play football, the more you do it, you're a journalist, the more stories you write, the more people you interview and navigate your way through these different personalities to get your story, the better you're going to get at it. Acting's no different.

When I was a kid, I was obsessed with different planets in the solar system, and I used to create, for every single planet, a different alien race with a certain kind of pet, a certain kind of house, a certain kind of water system, and everything. I would draw these pictures. I had hundreds of these pictures in a box.

A lot of things look good on an academic's blackboard in terms of the actions that need to be taken. It's almost like a football coach, when you draw the X's and O's: Every play that is chalked on that board goes for a touchdown. Well, there are a lot of yards to be made between the line of scrimmage and the touchdown.

I have always been more of a joyous person than a sad person. But I was fortunate to have a mom and dad where my mom could look at my face and know what was going on and was able to get me to talk and draw it out. As a result, I didn't have to hide an emotion. I didn't have to worry about her telling me, 'That's silly.'

My father was retired military, and my mother was an educator. She was incredibly creative. I used to love going to her school during the summer and helping her decorate her classroom. I would draw Mickey Mouse, Donald Duck. She was a sixth grade teacher. She and my father are the ones that got me into my love of music.

I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.

On the Internet, news is consumed a la carte. If someone shows up on the main page of a website and doesn't see anything of interest, they leave. This negatively impacts ad revenues. The solution on the Internet is to pack news websites full of things that will draw people in, regardless of whether they are news or not.

Our socialism does not include extreme materialistic concepts, since Indonesia is primarily a God-fearing, God-loving nation. Our socialism is a mixture. We draw political equality from the American Declaration of Independence. We draw spiritual equality from Islam and Christianity. We draw scientific equality from Marx.

I guess I would just say that in general, one of my weaknesses is that I love everything. There's too much of everything to keep up with it all. I get bored with Silicon Valley technology a lot. I've always had much more of a draw to the people who are doing things for love than the people who are doing things for money.

I, Maggie, personally cannot tell you that you're going to save the planet. But what I do know is that we can draw a line to an issue that can conserve what we already have and what's left in a way that we can actually breathe the air, drink the water, actually grow things in soil - that matters in a real, practical way.

This year I've just been aggressive. I still have that mindset of passing the ball, and being aggressive and attacking to the basket is going to draw more attention, and that way I can find my teammates. Being in attack mode is something I try to bring into every single game, and that's what's making me be so successful.

Through the years, I, like you, have experienced pressures and disappointments that would have crushed me had I not been able to draw upon a source of wisdom and strength far greater than my own. He has never forgotten or forsaken me, and I have come to know for myself that Jesus is the Christ and that this is His Church.

When an American says that he loves his country, he means not only that he loves the New England hills, the prairies glistening in the sun, the wide and rising plains, the great mountains and the sea. He means that he loves an inner air, inner life in which freedom lives. In which a man can draw the breath of self-respect.

I think most Hollywood meetings are silly and I truly despise pitching. It's insane to expect someone to come in and tell you the story before they've written it, and buying an idea from someone who can explain it rather than write it is like choosing a mechanic based on his ability to draw a picture of your car's problem.

We are not living in a world where all roads are radii of a circle and where all, if followed long enough, will therefore draw gradually nearer and finally meet at the centre: rather in a world where every road, after a few miles, forks into two, and each of those into two again, and at each fork, you must make a decision.

The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.

Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do.

We don't classify all doctors as incompetent because of the infrequent instances of medical malpractice. We don't use the example of one bad teacher in our children's school to draw a negative conclusion of the entire teaching profession. We should apply that same rational standard when it comes to how we view law enforcement.

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be.

I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second.

There is no limit to suffering human beings have been willing to inflict on others, no matter how innocent, no matter how young, and no matter how old. This fact must lead all reasonable human beings, that is, all human beings who take evidence seriously, to draw only one possible conclusion: Human nature is not basically good.

You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!

I think my most famous was 'Poco's Legend.' It's a white album with a simple line drawing of a horse. It almost has a Picasso feel to it. I remember that Rusty Young, the lead singer of the band, said, 'I want you to draw a horse for the song 'Legend,' which is about a phantom spirit horse. I want you to do it in several lines.'

My dear mamma is quite right when she says that we must lay down principles and not depart from them. The king will not have the same weaknesses as his grandfather. I hope that he will have no favorites; but I am afraid that he is too mild and too easy. You may depend upon it that I will not draw the king into any great expenses.

In those long, lonely miles you put in during the off-season, and in those knife-in-the-gut track repetitions and hill repeats that buckle your knees - at that moment in almost every race when you ask yourself how much you're willing to hurt to catch one more runner - you can draw strength and inspiration from your running mates.

Win or lose or draw, you always go back and critique your performance and say you could have done things better. Even if I put the guy away in one round, I can go back and say I made a lot of mistakes and need to tighten up. But that's the type of person I am. Improve. Improve. Improve. When I lose I come back stronger than ever.

One thing that probably is unique at Activision is that we really spend a lot of time up front with our audiences, and in big quantities and with a very thoughtful process, to really try and draw out from them what it is that they would like to play. So we have a pretty good sense going in what the expectation of the audience is.

When a president makes life and death decisions, he should draw strength and wisdom from broad and deep experience with the reasons for and the risks of committing our children to our defense. For no matter how many others are involved in the decision, the president is a lonely man in a dark room when the casualty reports come in.

My approach as an actor has always been the same, in that the greatest gift that you're ever going to have is your imagination because you're not going to have all life experiences. So you draw on things that are sort of close to it but you spend your time expanding on it or drawing something specific on whatever your situation is.

I think that the question is very clear-cut, not only as a matter of ethics, but also as a matter of law, that a lawyer should not be aiding and abetting in a fraudulent scheme, and part of that aiding and abetting would be to draw up subsequent documents in order to conceal the true nature of the scheme from federal investigators.

The things I do, I do from the heart and out of love and respect for our planet and all living things. And I draw my courage from my love for justice and truth, and I calm my fears by comforting those who are more scared than me. And I try to do my best to make the world a better place, one small action at a time, as good as I can.

Since Brooks Brothers is a 189-year-old company, there are plenty of references and inspirations I can draw from their archives and catalogs. The wearer of Black Fleece may not be all that different from mine, in that I imagine that it would be someone who is a true individual, and independent thinker. This is for both men and women.

That $27,000 that a young player will now get just for making the main draw at the Australian Open is huge. It can set them up for a couple of months which at that level you really do need that kind of help. It sounds like a lot of money, but when you're travelling the world trying to make it as a tennis player, it doesn't last long.

It is generally believed that our science is empirical and that we draw our concepts and our mathematical constructs from the empirical data. If this were the whole truth, we should, when entering into a new field, introduce only such quantities as can directly be observed, and formulate natural laws only by means of these quantities.

I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.

Are you going to cater to the whims and prejudices of people? We draw out from other people our own thought. If, when you go out to organize, you go with a broad spirit, you will create and call out breadth and toleration. You had better organize one woman on a broad platform than 10,000 on a narrow platform of intolerance and bigotry.

I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.

As an angsty teenager and college student, I used to mock people who lived in gated communities, who were so afraid of the unfamiliar world they had to erect a physical boundary to keep it at bay. But now I wonder, aren't the boundaries we draw with Facebook just as secure as a man-made moat or an underpaid security guard manning a booth?

Place me behind prison walls - walls of stone ever so high, ever so thick, reaching ever so far into the ground. There is a possibility that in some way or another I may be able to escape. But stand me on that floor and draw a chalk line around me and have me give my word of honor never to cross it. Can I get out of that circle? No. Never.

One of the things when you're drawing a comic book is that you're spending four or five times as long to draw it as the writer takes to write it. In my career I've had to spend a week drawing something that a writer has thrown out in an hour. And there's nothing worse than having to work on something that no previous thought has gone into.

Millennials regularly draw ire for their cell phone usage. They're mobile natives, having come of age when landlines were well on their way out and payphones had gone the way of dinosaurs. Because of their native fluency, Millennials recognize mobile phones can do a whole lot more than make calls, enable texting between friends or tweeting.

In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.

Early on I saw the plastic quality in colored people and had friends among them; and later was to work from colored models and friends, including Paul Robeson, whose splendid head I worked from in New York. I tried to draw Chinamen in their quarter, but the Chinese did not like being drawn and would immediately disappear when they spotted me.

Just as people can watch spellbound a circus artist tumbling through the air in a phosphorized costume, so they can listen to a preacher who uses the Word of God to draw attention to himself. But a sensational preacher stimulates the senses and leaves the spirit untouched. Instead of being the way to God, his 'being different' gets in the way.

It is truly vital for the United States to assure that it is not attacked with weapons of mass destruction; to prevent wars in other countries from spreading onto American soil; and to maintain access to global sea lanes on which our economy depends. Beyond that, there is little or nothing in the world that should draw the United States to war.

No one would argue that it's in the United States' interest to have independent knowledge of the plans and intentions of foreign countries. But we need to think about where to draw the line on these kind of operations so we're not always attacking our allies, the people we trust, the people we need to rely on, and to have them in turn rely on us.

In high school, I used to draw on my arms with a Sharpie. I knew I was gonna have a lot of tattoos. I'm not exactly classified as an artist, so my drawings could only go so far as I could take 'em. Now my tats are all a story: There's not one I can remember where I got a tat just to get a tat. It's all a part of me. I don't think I'm finished yet.

I appreciate all the kids who come up and enjoy my play at OU. But everybody giving me their opinions is where I draw the line. If it's someone who hasn't been there before, I really can't handle it. It's 'Slide more.' 'Don't take as many hits.' 'Get out of bounds.' I know they have my best interests at heart. I just have to remind myself of that.

When I visit schools, I try to reach kids who perhaps don't have books at home or aren't that keen on reading. Somehow you draw them in with the pictures and then perhaps they'll want to learn more about it. I use a lot of audience participation and find kids who aren't really part of it and try to include them - to draw in those reluctant readers.

Share This Page