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Because acting was my only professional outlet, I put a ton of pressure on the roles that I did. I overstepped my bounds, I tried to control things that were out of my purview as an actor and in some cases even tried to direct my scenes because I felt I knew how they should run rather than trust the director.
When I was energy and climate change secretary I sat around a cabinet table with Gove, and he couldn't help playing to the Tory climate-sceptic audience. As education secretary, he tried to ban climate change from the geography curriculum. After an angry exchange of letters with me, he eventually backed down.
I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
I marvel to think that the Son of God would condescend to save us, as imperfect, impure, mistake-prone, and ungrateful as we often are. I have tried to understand the Savior's Atonement with my finite mind, and the only explanation I can come up with is this: God loves us deeply, perfectly, and everlastingly.
Kids have been let down by adults - we've tried to give them too much, we've tried not to impose discipline. We've tried to make their lives easier and, in doing so, we've taken something away from them. Kids like boundaries, they also like to be pushed, need to learn what failure is all about, need guidance.
I was not athletically inclined. I was very quiet, introverted, non-confrontational. My three older brothers were athletes - basketball, football - but I was kind of a momma's boy. Then one day, my brother Roger encouraged me to go to the boxing gym with him. I tried the gloves on, and it just felt so natural.
Honestly, in the music business, it's all about being cool or being the newest thing or being the 'It' person, and I've tried really hard to be what is expected of me or what would be advantageous to my career, and I just reached the point where I said, 'No, I'm an emotional loser. I can't pretend to not care.'
So I've tried to be this very eccentric character, and that works very well if you want to be a painter which I did once upon a time, if you want to be a musician which I did once upon a time. But if you want to make movies and you want to make challenging movies, you've got to be the sanest person in the room.
Things don't always go your way in football: there are always good and bad times. At the end of the day, you have to have a positive attitude and a strong mentality and not let any setbacks get you down. And that's what I've done - I've tried to keep my composure, even when things aren't going the way I'd like.
We did 'The Conversation' on the Zeus network because we already are on TV and we felt like us being our own therapists could work. We tried it. We just gave it a shot since we already on blast and everybody creating their own stories about what they see. Just tried to give it a shot. Did it help? I don't know.
My mother had two unshakable beliefs that she tried to drill into me. The first was that I had to study and work twice as hard as my white peers if I wanted to survive in America, and the second was that it was delusional and dangerous to believe I possessed the same freedom white people had to pursue my dreams.
I tried to holla at Oprah while I was hosting a red carpet for BET. I really liked Oprah at the time, and I asked her to dance and she said yes. I was giving her the eye and she just thought it was cute. I was young, but I was confident. I was saying stuff in my head but the words were not coming out of my mouth.
I used to cheerlead in high school, and I had the biggest crush on one of my teammates' brothers. I was a great tumbler, so when he showed up at practice one day, I tried to impress him, but I ended up landing on my face! When I got off the ground, I had rug burn on my nose. I was in tears because it hurt so bad!
I started playing music around 13 or 14, played jazz in high school, and played other stuff in college. After college, I tried to make it as a musician. I lived in a big squalid house full of dudes outside of Boston. We were all musicians. We built this studio in the basement and played there all hours of the day.
Stating my views on Islam has brought me to court on charges of 'group insult' and incitement to racial hatred. I am being tried for voicing opinions that I - and my constituents - consider to be the truth. I am being tried for challenging the views that the ruling establishment wants to impose on us as the truth.
Paul Heyman has always been the only guy from the office that ever really had my best interest and really understood me. The other agents and promoters seemed confused why the fans liked me so much, because I was so non-typical for their idea of a wrestler, so they just tried to capitalize on it without owning it.
On a Friday night in 1983, I was in a taxi in New York riding home from dinner with friends. A drunk driver ran a red light and hit the cab, and I was thrown toward the glass partition. I tried to duck, but my face hit the glass, and the impact fractured my cheekbone, my eye socket, my collarbone and several ribs.
At the combine and at my workouts, I tried to be the perfect player. I tried to promote my strengths and conceal my weaknesses, and on paper, I kind of succeeded: I was the first pick in the draft. And with that, I inherited this big shiny trophy that I carried around, and it had one word engraved on it - anxiety.
My mom and my aunties are really devout Christians. My mom married a Muslim when I was 12, so I got teachings from both sides and then other sides because I wanted to find out which way to go. So not only Christianity and Islam, but Confucianism, Shintoism, Taoism, Buddhism, and Judaism. I tried to read everything.
The day-to-day microaggressions that we all face, yeah, you have to let some stuff slide, or you go, 'I gotta keep moving; there's bigger fish to fry.' It's something that I still deal with. But I've tried to have the audacity of equality and to follow my heart in those moments where I feel like something is wrong.
As a lawyer, as a former prosecutor, and as a son and grandson of foreign-service officers who tried to represent American democracy in foreign and dangerous places, the idea that this crowd of crooked fossil-fuel types is able to take over and run our democracy like we are a banana republic - I find that repellent.
All religious leaders and spiritual teachers emphasize finding a place within us that is true. People who obsessively follow these leaders instead of their own purpose attach to the spiritual leader and become fanatical and controlling. That's why Jesus tried to tell his followers not to get attached to outward form.
No, no, I don't watch football. The last time I tried watching was the last Super Bowl. The problem I have is, you know, the graphic nature of my imagination; when I watch and see them meeting head onto head, helmet onto helmet, what flashes through my mind is what's going on in their brains. It's like torture to me.
I can remember the first time I tried to drive into the garage of the world headquarters of Ford in a Camry. It was almost like they wouldn't let me in. They said, 'Why do you want to do that?' I said, 'Because we are going to make the best cars in the world, and we need to know everything about the competitor's car.'
A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
The collapse of the Tower of Babel is perhaps the central urban myth. It is certainly the most disquieting. In Babylon, the great city that fascinated and horrified the Biblical writers, people of different races and languages, drawn together in pursuit of wealth, tried for the first time to live together - and failed.
The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.
I gathered as much reading material about Aung San Suu Kyi and about Burma as I could. And I read every article and every book she had written. I also had 200 hours of footage of her to watch. I tried to discover who were her heroes and where he desire and strength to pursue democracy in a non-violent fashion came from.
A lot of people say I tried to emulate Tupac, but when I look back at my career, we're very different artists. I took pages out of Pac's book, of course, and lots of other rappers - Biggie, Nas - of course you take pages out of those books, but you eventually make it your own thing. And I think I did a good job of that.
When I heard the idea of a Slayer wine, I tasted the wines they suggested for us. To be honest, I was a bit skeptical at first before I tasted it, but once I tried it, I thought, 'You know what? This is actually really good. A really fruity and round type of flavor for a red wine.' It's very flavorful and tasted awesome!
You can have anything you want, but not everything. If it was really important to spend an afternoon at my daughter's school, I had to think, how was I going to organize my life to do that? How could I become more efficient? I always tried to put my priorities on the table, personal and professional, and work around them.
I got to talk with some of the great offensive minds in football. Bruce Arians, Byron Leftwich, Andy Reid, Ben McAdoo, Bill O'Brien, I met all those guys and tried to take something away from each of them. Hue Jackson, people that are known for developing quarterbacks, I got exposed to a lot of stuff I hadn't seen before.
I usually tried to stay in the net for 45 minutes, half an hour longer than most batsmen would stick at the county nets. There was a reason for this so-called gluttony of practice: it was a conscious effort to make myself concentrate for long periods of time in circumstances as close to the real thing as I could make them.
A few people have tried to make me see that my writing isn't quite their thing by saying to me: 'What about realism?' To which my general response is, 'What about it?' However, I wouldn't be at all surprised if one of my favorite writers, Marilynne Robinson, was to say something similar if asked 'What about the fantastic?'
The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.'
Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.
I was a very creative child. I played the saxophone and piano, and I was always writing poetry and stories, or drawing in my notebook. I just tried to express myself through as many creative outlets as possible. And in high school, I started to get really into photography and videography and would spend hours working on it.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
If you need five minutes every hour to look at tweets or to just surf the Internet, you need to schedule that into your schedule, allow yourself to do that. Because when people start procrastinating, what they've done is, they've tried to ignore that urge. They try to deny themselves time on Facebook or time surfing the web.
I remember I took an editorial, and I was so excited. I got the pictures back, and I looked in the magazine, and I was like, 'Oh my gosh!' My arms were half their size, and I had a thigh gap magically, and all these crazy things. My family went out and tried to find my pictures in the magazines, but no one could recognize me.
Stop trying to find something in food that will make you feel better. I used to have eating disorders; I'd binge and purge all the time: fried oysters, po' boys, muffulettas, beignets, coffee and doughnuts. I tried to medicate myself with food when people made fun of me or hit me with a bat in school. I'd always turn to food.
Although the FCC has tried to introduce net neutrality rules to avoid abusive practices like favoring your own services over others, they have struggled because there has been more than one court case in which it was asserted the FCC didn't have the authority to punish ISPs for abusing their control over the broadband channel.
Hindered by asthma since I was six weeks old, I had begun experimenting with my diet and discovered a disquieting correlation. When I stopped eating the normal American diet of sugar, fats, alcohol, chemicals, and additives, I felt better. I could breathe freely. When I tried to sneak in a hamburger and a Coke, my body rebelled.
Yeats regarded his work as the close of an epoch, and the least of his later lyrics brings the sense of a great occasion. English critics have tried to claim him for their tradition, but, heard closely, his later music has that tremulous lyrical undertone which can be found in the Anglo-Irish eloquence of the eighteenth century.
On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.
I was first to understand it was boring to go with heavy shoes to base camp. When we first tried Dhaulagiri, a very difficult approach at high altitude, we needed very heavy boots. So it was usual to wear such heavy boots to approach all base camps. But I thought this was crazy. We needed lighter shoes for many of the approaches.
I finished my first novel - it was around 300 pages long - when I was 16. Wrote one more before I got out of high school, then wrote the first Lincoln Perry novel when I was 19. It didn't sell, but I liked the character and I knew the world so I tried what was, in my mind, a sequel. Wrote that when I was 20, and that one made it.
I first wore a hat after seeing a friend wear a hat. It seemed like a neat way to keep snow off my head without having to wear a beanie, so I tried it on for a while. Turns out I started wearing the hat at around the time people took pictures of me and put them online and in newspapers, so it kind of became part of my public image.
I tried to fortify myself with the best nonfiction and fiction I could lay my hands on, from the essays of James Baldwin and Joan Didion, to the stories and novels of Ralph Ellison, Roberto Bolano and Celine. Distinctive voices like these were a source of constant nourishment on all range of matters, from punctuation to philosophy.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.